John is one patient-sitter whose cancer and portraiture experiences illuminate what it means to witness, to express regard for another’s difficult health and health care experiences.
AMA J Ethics. 2020;22(6):E470-475. doi:
10.1001/amajethics.2020.470.
Lisa is one patient-sitter who took comfort in the permanence of portraiture amidst the uncertainties of tongue cancer. Her experience offers an abundance of lessons for art and healing.
AMA J Ethics. 2020;22(6):E482-487. doi:
10.1001/amajethics.2020.482.
Maxwell F. Lydiatt and William M. Lydiatt, MD, MBA
Portraiture facilitates learners’ explorations of their own and others’ biases, limitations, and approaches to gathering information from and about a source.
AMA J Ethics. 2020;22(6):E499-504. doi:
10.1001/amajethics.2020.499.
Curatorial and ethical questions are numerous in an exhibition that includes visceral psychological portraits and explanatory text not typically considered by museums and galleries.
AMA J Ethics. 2020;22(6):E525-534. doi:
10.1001/amajethics.2020.525.
Multiple pieces of reclaimed pallet wood are sculpted into a lateral cerebrum and a gradient of burned wood visually represents a crisis among health care professionals.
AMA J Ethics. 2020;22(1):E61-62. doi:
10.1001/amajethics.2020.61.