Drawing on the film Wonder, this article examines how a narrative of community acceptance offers sustaining relationships for people with unusual facial appearance.
AMA J Ethics. 2019;21(11):E1003-1008. doi:
10.1001/amajethics.2019.1003.
Mark Gilbert, PhD, Regina Idoate, PhD, Michele Marie Desmarais, PhD, and William M. Lydiatt, MD, MBA
Anthony is one patient-sitter whose experience of head and neck cancer diagnosis, surgery, and recovery suggests how silence is ethically, artistically, and clinically significant.
AMA J Ethics. 2020;22(6):E488-498. doi:
10.1001/amajethics.2020.488.
Maxwell F. Lydiatt and William M. Lydiatt, MD, MBA
Portraiture facilitates learners’ explorations of their own and others’ biases, limitations, and approaches to gathering information from and about a source.
AMA J Ethics. 2020;22(6):E499-504. doi:
10.1001/amajethics.2020.499.
Ashok, a Nepali man with neurofibromatosis, has undergone 3 surgeries to remove facially disfiguring tumors. His portrait is one of over 200 exhibited by this artist-researcher and mother.
AMA J Ethics. 2020;22(6):E513-524. doi:
10.1001/amajethics.2020.513.
A scientist-patient and patient-caregiver sit for a portrait and consider complementary therapy and its value in facilitating observation of patient-caregiver relationships.
AMA J Ethics. 2020;22(6):E565-569. doi:
10.1001/amajethics.2020.565.
Dr James Van Arsdall shares his experience of sitting for a portrait after his treatment for oral cancer, and Dr Mark Gilbert describes how he came to do portraiture in clinical settings.