Abstract
Design is and always has been interventional and clinically relevant. Modern evidence-based designers’ lineage was prominently shaped between 1800 and 1970. This article investigates hospital designs during this period that were correlated with patients’ health outcomes and suggests how this history influenced our present-day understanding of evidence-based design.
Evidence-Based Design
It is a common assumption that evidence-based design (EBD)—“the process of basing decisions about the built environment on credible research to achieve the best possible outcomes”1—is a recent development kindled by Roger Ulrich’s 1984 study that documented that patients in rooms with a view of trees recovered more quickly and at higher rates than patients with a view of a brick wall.2 Attempts to situate EBD in a larger historical trajectory have noted Florence Nightingale’s work in the 1860s but mention few precursors.3,4,5 This narrative is like telling the history of aviation from the Wright brothers to commercial air travel with no intermediate steps; accordingly, this article aims to fill in a few key gaps. The examples of hospital designs from the 1800s to the 1970s presented in this article show that the use of evidence has been the norm, not the exception, in clinically influential hospital design decisions.
Infection Prevention (1800s-1900s)
Early 19th century hospital design strategies based on evidence focused on preventing hospital-acquired infections. Medical theories of the time considered bad air as the cause of diseases, and hospital practitioners related morbidity and mortality outcomes in various hospitals (and even in individual hospital rooms) to the architectural features that influenced air quality and flow.6,7,8 In response, hospital designers developed buildings that provided pure air in specific volumes and flow patterns with the intent to reduce internal disease transfer.9
As ongoing research redefined what constituted “pure” or “healthy” air, the variables studied and the design solutions proposed evolved. By 1800, hospital designers emphasized providing a minimum air space around each patient and maximizing natural (ie, open window) air flow.10,11 Yet natural air flow was inconstant; it varied with weather conditions. To create a more constant air flow, industrialist, fire-proof construction advocate and inventor William Strutt designed the new Derbyshire General Infirmary building with a novel closed-window, ducted heating and ventilation system.12 By the 1820s, early American architect Charles Bulfinch included a similar system in the new Massachusetts General Hospital.13 In the 1850s, Dr John Watson, a ventilation-obsessed surgeon at the New York Hospital, advocated similar closed-window, ducted systems in renovations of existing hospital buildings and in new construction (see Figure 1).14
Figure 1. Foundation, Basement, Upper and Attic Floor Plans of South Building, New York Hospital
Reproduced from Smith JM. An address delivered on the occasion of the inauguration of the new South Building of the New York Hospital. ST Callahan & Co; 1855.
Figure shows cold air intake in basement (blue), hot air chambers in basement (light orange), ducts in walls on upper story (orange), and exhaust ducts in attic (orange).
By the 1850s, Florence Nightingale presented copious statistical evidence that patient outcomes in well-ventilated hospitals were vastly better than in poorly ventilated ones.15 Her “pavilion-ward” hospital design maximized open-window ventilation in a prescribed spatial relation to patient beds as a means of not only preventing airborne hospital-acquired infections but also improving outcomes through therapeutic exposure to fresh air (see Figure 2).9,16,17
Figure 2. Ideal Pavilion-Ward Plan
Reproduced from Nightingale F. Hospital construction. Wards. The Builder. 1858;16(816):641-643.
Figure shows window placement for maximum natural ventilation between beds, with graphic indications of beds and lines of window-to-window cross-ventilation added by author.
Early germ theory in the late 1860s provided evidence that dust-borne microbes caused disease; in response, hospital designers experimented with mechanically directed, closed-window ventilation systems that filtered out dust.18,19,20 In the 1870s, the board of governors of the newly endowed Johns Hopkins Hospital hired John Shaw Billings—a surgeon, Civil War military hospital doctor, and author of a postwar report on the healthiness of hospitals and barracks—to oversee the design of the new institution. Billings intentionally planned the new hospital facility as a “laboratory of heating and ventilation” with a variety of ward layouts and heating and ventilation system designs to provide data that would establish which ones yielded the best outcomes (see Figure 3).21,22,23
Figure 3. Plan of Johns Hopkins Hospital (Plate No. 709)
Reproduced from American Architect and Building News, 1889:26(709).
Patients were housed in octagonal wards, rectangular wards, and single-bed rooms in the isolation ward.
By the 20th century, increasing attention to direct contact as the means of spread of disease shifted attention from air to the interaction of design features and microbes. Designers of the Contagious Disease Unit of the Providence City Hospital in Rhode Island downplayed air flow and emphasized details that facilitated aseptic procedures (see Figure 4). Studies of materials, decontamination processes, functional details, and layouts that reduced the environmental microbial load and thereby minimized hospital-acquired infections continued for decades.24,25,26,27,28,29,30,31
Figure 4. Contagious Disease Buildings, Providence City Hospital
Reproduced from Annual Report of the Providence City Hospital (photo from 1910 issue, frontispiece; diagrams 1-3 from 1912 issue, pp. 38-40).
Based on extensive research by hospital supervisor D. L. Richardson and his collaborations with hospital architects, Martin & Hall, the Contagious Disease buildings (completed in 1911) were designed to limit contact infection and disregard air as a means of transmission. Active cases were assigned to doorless single-bed cubicles with extensive aseptic features to support aseptic barriered nursing techniques. In the first years of operation, all incidences of secondary infections were studied and mapped with the intent of determining if aerial infection was or was not a factor in transmission. Procedures and design details were changed in response to incidence.
Throughout the 19th and 20th centuries, publications did not keep pace with the rate of research and innovation, and designers undertook “study tours” to new and innovative hospital facilities to gather evidence for improved hospital designs.32 In the 1860s, surgeon and public health advocate Dr Stephen Smith and architect Carl Pfeiffer undertook an extended tour of hospitals in Europe and America prior to designing the new Roosevelt Hospital in New York City.33,34 Similarly, influential hospital architect Edward F. Stevens gained detailed knowledge of hospital operations and designs through his extensive travel to hospitals.35 Dr Christian R. Holmes, a physician and chair of the Board of Hospital Commissioners of Cincinnati General Hospital, determined the best design for the new model hospital facility after a travel study tour.36
Designs to Promote Healing (1900s-1950s)
Studies of therapeutic influences of specific environmental conditions and designs that realized those conditions blossomed in the 20th century.37 In 1906, prominent New York City physician Dr W. Gilman Thompson sent patients with a variety of diseases to a new, experimental rooftop “fresh air” ward and tracked their rates of improvement relative to those in the traditional enclosed wards.38,39 The widely publicized positive results encouraged hospitals across the country to add fresh air facilities.9,40
With the development of increasingly sophisticated mechanical ventilation systems that could humidify, cool or heat, and ventilate, studies examining the influence of “internal” controlled climate on patients also proliferated. By 1920, a geographer and advocate of the (now discredited) theory of environmental determinism, Ellsworth Huntington, demonstrated that air conditions in hospitals affected the postoperative death rate; this finding focused designer attention on providing the optimum environment for patients.41,42,43,44,45 Hospital practitioners built and assessed experimental “climate” or “weather” rooms in which the environmental conditions could be tailored to the exact therapeutic needs of a specific patient.46,47,48,49 Reports of unanticipated problems (eg, high humidity rooms for patients with breathing difficulties experienced condensation and mildew) and possible design solutions to those problems appeared alongside reports of clinical successes.50 After Boston Children’s Hospital pediatrician Kenneth D. Blackfan published a study in 1933 with public health engineer Constantin P. Yaglou and pediatric nurse Katherine MacKenzie Wyman showing that improved outcomes for premature infants were correlated with improved air conditioning, installation of air conditioning in nurseries became standard practice.51,52,53 In operating rooms, studies showed that air conditioning at the proper humidity balance made surgeons more comfortable, reduced condensation that could drip onto the operating field, and prevented deadly anesthetic gas explosions by reducing static electricity sparks.54,55,56,57
Design for Efficiency (1860s-1950s)
Hospital layouts influenced patient outcomes by directly influencing nursing and medical care efficiency. Even Nightingale and her followers advised that the number of patients one head nurse could oversee determined the size limit of a pavilion ward.16,58 By the early 20th century, studies measured nursing efficiency using the pedometer. To reduce distances traveled by caregivers in the course of their duties, designers experimented with ward layouts that had standard rooms for patients with shorter and fewer corridors, more centralized nurse stations, improved supervision (via use of glass), and more numerous utility cabinets.9,59,60,61,62,63
Personnel and material shortages during the Second World War prompted hospital practitioners to study efficiencies in all corners of the hospital.64 This focus was evident not only in numerous studies of designs that improved specific services or functions, but also in extensively researched, standardized model plans (called “type” plans) published by the US Public Health Service as a resource to help hospital administrators maximize personnel efficiency, minimize materials used, and improve patient outcomes.65 Postwar hospital efficiency studies incorporated new methods and new concerns, including task-level time and motion studies for doctors, nurses, and staff.66,67,68 The Greater Baltimore Medical Center’s horizontal layout (built at a time when hospital designs were trending vertically) was determined by “operations research” that studied hospital traffic patterns and developed a layout that would make for the most efficient pattern.69 During the 1950s and 1960s, designers regularly based experimental ward unit layouts on evidence gained from construction of full-scale model patient rooms.70,71,72,73,74,75
In operating rooms, standardization of room designs supported standardization of surgical procedures, which reduced infections and minimized the time clinicians needed to spend tending a patient.67,76,77 The ever-changing technologies and procedures of up-to-date surgical practice, however, guaranteed a constant reassessment of both procedures and design features. For example, in the early 1900s, hospitals often included a “recovery” room (often noisy and disruptive) where postoperative patients came out from under anesthesia.78 By the 1930s, recovery rooms were no longer considered best practice, as they required extra handling of the patient.79 In the 1940s, the widely reported improved outcomes for wounded soldiers in military hospital surgical recovery rooms staffed by experienced nurses and stocked with specialized equipment (eg, suction, oxygen) made recovery rooms again essential in postwar surgical suites.78,80 By the 1950s, the success of surgical recovery rooms fueled the spread of intensive care units.
Patient Comfort (1900s-1960s)
The importance of the effect of patient comfort on outcomes also gained attention in the early 20th century. In 1906, students at Columbia University studied the sources of external noise around a hospital, and their findings became the basis for the creation of hospital quiet zones.81 With the development of color theory, designers decried the negative influence of the ubiquitous all-white hospital surfaces and suggested the beneficial influence of colors.82,83,84 Opportunistic paint manufacturers soon published pamphlets describing which paint colors were best for a room based on exposure (north or south light) and patient ailment.85 By the 1940s, modernist architect Alden B. Dow incorporated a color scheme designed to provide a positive, more cheerful, patient experience in Midland Hospital in Michigan. Each room provided a therapeutic view of natural surroundings and incorporated its own unique color balance to promote a positive response, with softer, more restful, colors for design elements (eg, dark green floors, light green walls, blue ceilings, and pink woodwork) in patient rooms and more brilliant, stimulating colors for design elements (eg, orange-red floors, white walls, and green ceilings) in public spaces.86,87 Postoccupancy qualitative surveys quoted patients as commenting that “It’s a beautiful place to be sick in, if you have to be sick.”88 Similar attention to the positive effects of art and music on patient outcomes brought all sorts of new entertainments and distractions to the mid-century patient’s bedside.89,90,91
By the 1960s, new strategies of gathering data on patient experiences fueled the new field of architectural psychology and many resultant design refinements.92 In Topeka, Kansas, a new environmental research building even offered a complete spatial laboratory for studying architectural variables and their effects on patients.93
Rooming-in Obstetric Units (1940s-1960s)
The above examples show that evidence has provided a basis for hospital design for decades. One additional example will show how deep that history might go within each example.
Early 20th-century obstetric unit designs included sterile formula rooms (which were designed at the level of aseptic detail of the surgical suite) and centralized nurseries, which could hold dozens of infants and which typically required gowning and masking for access (see Figure 5).94,95 This layout was intended to reduce infections, but it also reduced infant-parent interactions.
Figure 5. US Public Health Service Type Plan of Central Nursery Layouta
Plan reproduced from Dunham et al,94 with graphic indications of bassinets, sinks, and tables added by author.
a For hospital expecting 700 live births per year.
In the early 1940s, the Cornelian Center of Detroit—citing literature that showed behavioral problems could stem from infancy—redesigned its childbirth suites to house the infant in the same room with the mother and reported increased bonding between parents and infant, encouragement of breastfeeding over formula feeding, reduced crying, and reduced nursing load.96 To gather more data, the George Washington University Hospital included several different nursery and maternity room designs in a new maternity facility in 1945 (see Figure 6). Postoccupancy analyses summarized the benefits of each layout but led to the general conclusion that smaller nurseries in greater proximity to the mother reduced infection, increased mother-baby interaction, and encouraged breastfeeding over formula feeding.97
Figure 6. Rooming-in Layouts
Graphic by author, based on Mongomery TL, Keast M.98
By 1948, the Grace-New Haven Community Hospital in Connecticut reported numerous positive outcomes (happier mothers, healthier babies, more efficient nursing, and—though inconclusive because of the small sample size—possibly fewer infections) associated with its experimental rooming-in unit (see Figure 6).99 Over the next few years, rooming-in suites appeared in hospitals across the country, each reporting positive outcomes. 98,100,101,102,103,104,105
Setting the Stage for EBD
Modern EBD is understood as an active and intentional research process involving the gathering, analysis, and publication of data on which to base design decisions.1 In each of the historical examples presented above, the designers followed that process. If there is a clear difference between EBD then and now it is in the greater present emphasis on the methodological and analytical framework of the research.
If hospital designers have been basing designs on evidence for decades, architects more generally only began to express awareness of how little they knew about the effects of their designs on the occupants in the 1950s.92,106,107,108,109,110 Conscious attempts to incorporate research as a basis for design gained traction in professional architectural circles beginning in the 1960s. 111,112,113,114,115 Since then, evidence-based architectural research has grown ever more sophisticated, more detailed, more rigorous, and more central to the profession. Situated in this larger context, Ulrich’s 1984 publication and the development of EBD becomes part of a much larger, much longer transformation of design. The examples given in this article suggest the extent of the history that is still waiting to be told.
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